Ritual for a New Regime12 Jun - 19 Jul 2020 Friday 12th June via IGTV ONLINE OPENING PROGRAM (films at bottom of page) 4pm Ritual for a New Regime Walk 5pm Emma Fisher 'Lamentation for the Space Between' 6pm Rebecca Bellantoni & Rowdy SS 'Do I Worry? (MAMA) 2020 *The origin story of this exhibition is now...
Visual Tonic24 Mar - 29 Jul 2020 (online programming in partnership with the Lexi Cinema, Kensal Rise) Featuring: Akinola Davies Jr, Lori E Allen, Lawrence Abu Hamdan, Sean Capone, Rachel Maclean, Katarsyna Perlak, Kate MccGwire, Olivia Norris, Charlie Warde, Lone Taxidermist, Manu Luksch I n these troubling times we need to unite and support each other, which...
Sovereignty in Chaos11 Dec 2019 - 3 Jan 2020 This exhibition is not only concerned with how our global governing bodies are free falling from one catastrophe to the next, but it also draws on Neurohacker Jordan Greenhall’s strategy of self agency and drawing the idea of Sovereignty inward. By using our agency to contribute to collective multimodal action, we can ride the storm of flux that we seemingly find ourselves caught up in. All of the artists in this exhibition: Julia Belova, Luisa Kasalicky, Gašper Kunšič, Christiane Peschek and Céline Struger offer alternatives to our predetermined frameworks.
Corey Whyte: Enter the Golden Quarter1 - 9 Oct 2019 139 Whitfield St, Fitzrovia, London W1T 5EN Private view Monday 30th September 6 - 10 pm Tuesday 1st - Wednesday 9th October 12 - 7 pm Cole Projects is pleased to present Corey Whyte’s first solo exhibition; “Enter the Golden Quarter” featuring 6 new sculptures and their accompanying drawings. Taking...
We Sing the Body Electric2 - 28 Aug 2019 Private view: Thursday 1 August 6-9pm
Exhibition: 2 - 28th August
Hours 12- 6pm Tuesday to Saturday
All-female exhibition featuring: Ingrid Berth-Moine, Stine Deja, Enam Gbewonyo, Bex Ilsley, Laila Majid, Stacie McCormick, Alix Marie, Juliette Mahieux Bartoli, Marie Munk, Fern O' Carolan, Katarzyna Perlak, Cherelle Sappleton, Karolina Stellaki, Rebecca Wallis.
The exhibition title is taken from the Walt Whitman poem I Sing the Body Electric from 1855. Visionary for its time and increasingly relevant today, Whitman made the case for the inclusion of women in the democratic body by deconstructing the idea that the figure is always gendered- it is either male or female reducing social constructions to the idea of the “naked meat of the body”. Whitman’s thoughts about bodily communion as a metaphor for unifying America's demos, and his inability to openly write about the male body as he was unable to address his unconfirmed homosexuality at the time, effectively created a universal love-poem that can be applied to all bodies and the identity politics of today that has moved beyond these binaries to create a fluid, fragmented, and dynamic collectivity of possible sexualities that can vary at different points during one’s life.
To do this, part of the strategy was to focus on one part of the body at a time, essentially fragmenting the human body into separate parts, removing the traditionally scopophilic qualities of observing naked female bodies: “lung-sponges, the stomach-sac, the bowels sweet and clean”. This challenges the idea of the active male gaze put forward by feminist theorist Laura Mulvey, where men get pleasure and power from looking upon a passive female subject, dismantling and“decentralising” the male gaze, thereby removing the male position of authority and exposing the system of oppression.
We are witnessing the regrouping of feminism as a social movement across every area of society - from the “Time’s Up” movement in Hollywood to the International Women’s Strike - and the art industry is no exception. The increased efforts of art institutions and exhibitions pushing female only shows, like this one, has been met with some criticism, discrediting the merit of the work, instead placing priority on gender and nationalities. The diversity of the practices in We Sing The Body Electric highlight new ways that artists are dealing with the body- with a focus on it’s materiality which recalibrates the traditional female nude from the objectified into a confrontational subject, conveying an idea or universal reality, like Whitman’s poem.
Tomorrow is Cancelled25 Oct - 6 Nov 2018 Tomorrow is Cancelled is the exhibition realised in the framework of the Curators’ Agenda, an annual curators-in-residence program organized by BLOCKFREI association in partnership with the University of Applied Arts Vienna. The program is supported by the City of Vienna and the Seventh District. The challenge of the show lies in the input and collaboration of a group of international curators developing and producing the exhibition together during the six-week program.