Lena Rosa Händle
Waterbody, 2008
C-print
108.5 x 72 cm
Ed 3/5 + 2AP
Lena Rosa Händle, Waterbody, 2008
£ 5,000.00
%3Cdiv%20class%3D%22artist%22%3ELena%20Rosa%20H%C3%A4ndle%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3EWaterbody%2C%202008%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EC-print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E108.5%20x%2072%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEd%203/5%20%2B%202AP%3C/div%3E
Part of the series; 'Laughing Inverts' The diversity of photographic approaches manifested in the dialog between these images reveals different facets of identity, relationships, and social movements. Momentary scenes arise...
Part of the series; "Laughing Inverts"
The diversity of photographic approaches manifested in the dialog between these images reveals different facets of identity, relationships, and social movements. Momentary scenes arise in the mix of imagery, forming idiosyncratic orders. Found signs and traces are articulated in movement, masquerade, and glamour. Visual shifts, reversals, and reinterpretations invert societal norms and conventions. Browsing through the pages of the artist book Laughing Inverts, a flow of images emerges that follows its own inner rhythm, united by the expressiveness of laughter as communication, gesture, grimace, or threat.
The diversity of photographic approaches manifested in the dialog between these images reveals different facets of identity, relationships, and social movements. Momentary scenes arise in the mix of imagery, forming idiosyncratic orders. Found signs and traces are articulated in movement, masquerade, and glamour. Visual shifts, reversals, and reinterpretations invert societal norms and conventions. Browsing through the pages of the artist book Laughing Inverts, a flow of images emerges that follows its own inner rhythm, united by the expressiveness of laughter as communication, gesture, grimace, or threat.